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Class Activities 2012 / 2013

Students

Aleksandra Kovačević
Universität für angewandte Kunst Wien 2013/2014.

Jelena Nikolić
Special Creative Innovation Award From the Fund of Miloš Bajić.
HGK FHNW Basel professors and students visit.

Aleksandra Kovačević, Jelena Nikolić, Maja Đorđević, Luka Tripković, Mladen Janković
Kustosiranje 7+3, exhhibition at U10 Gallery, Belgrade.

Lectures

Game Modding
Dejan Grba
Artistic Modifications of Computer Games | Gaming | Video Game Art | Video Games as Art | Machinima.

Everything Is a Remix
Dejan Grba
Embrace the Remix | Blu | Charlie Gere, Digital Culture | Cognitive Mapping: I Know What I Drew Last Summer, Study | Jeremy Wood | Christian Nold, Emotional Catrography.

Video Ambients
Aljoša Ninković
Presentation of video projects.

Synth Bio
Dejan Grba
J. Craig Venter, On Synthetic Biology, NASA Ames, 2011 | J. Craig Venter, Manufacturing Life, UCSD, 2012 | J. Craig Venter, What is Life: A 21st Century Perspective, Trinity College Dublin, 2012 | J. Craig Venter, Synthetic Life, 2010 | Paul Root Wolpe, It’s Time to Question Bio-Engineering, 2010 | Adam Rutherford, The Cell, 2009 | Adam Rutherford, The Gene Code, 2011 | Adam Rutherford, Playing God, 2012 | Kevin Warwick.

Body – Sensing – Sense
Dejan Grba
Madeline Schwartzman, See Yourself Sensing: Redefining Human Perception, Black Dog Publishing, 2011.

Alibi For Alibi (Black or White)
Dejan Grba
References of the Alibi (Black or White) project.

Art & Science
Isidora Krstić
Program Art & Science @ Universität für angewandte Kunst Vienna | Lecture PDF.

Identity + Photography + Japan
Dejan Grba
Contemporary Japanese photographers experimenting with the identity.

Faking It: I Want to Believe
Dejan Grba
Veljko Onjin | A View to (A) Kill | Faking It (MoMA) | Phil Alden Robinson, Sneakers, 1992 | David Levinthal, Hitler Moves East, 1975-1977 et al. | Hiroshi Sugimoto | Jan Dibbets, Perspective Correction | Milorad Mladenović, Intervencije | Saatchi & Saatchi, Club 18-30 Advertising, 2002 | Han van Meegeren 1 | Han van Meegeren 1 | Michael Shermer, Why People Believe Weird Things, 2006 | M. Shermer, The Pattern Behind Self-Deception, 2010.

Database – Urbanism – Architecture – Viewpoint
Dejan Grba
Baran bo Odar, The Silence (Das letzte Schweigen), 2010 | Tilt-Shift | Andreas Gefeller | Candida Höfer | Thomas Struth | Thomas Ruff | Bernd & Hilla Becher | August Sander | David Levinthal | Esteban Pastorino Diaz.

Visual References
Damjan Kovačević
Presentation of his works, Veličković Award and Cite residence in Paris.

Generative Art
Siniša Milosavljević
Procedural Modelling and Animation in Houdini + presentation.

Gaming Reloaded
Dejan Grba
Ludic aspects of art.

Provocations
Dejan Grba
Presentation of selected projects.

Lectures (elective)

Sound Art
Dejan Grba
Digital art productions primarily based on the experiments with sound.

Digital Animation and Film
Dejan Grba
Digitalisation of animation as an essence of film, commercial cinema and the digital paradigm, art projects working with the phenomenology of commercial cinema and television.

Digital Video
Dejan Grba
Idiosyncratic, ludic, transgressive, culture-generated, transcoded, interactive and programmed digital video.

Internet Art
Dejan Grba
Art projects that utilise the relative omnipresence, simplicity, apparent annonimity, speed, multimediality and interactivity of the Internet.

Excursions

FFA Library.

Alibi (Black or White): Demo One exhibition.