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Dejan Grba was born in 1967. He lives and works in Belgrade, Serbia.

Contact Info

Business address 1: Faculty of Fine Arts, Rajićeva 10, 11000 Belgrade, Serbia.

Phone/Fax: +381 11 218 1214

Business address 2: University of the Arts, Kosančićev venac 29, 11000 Belgrade, Serbia.

Phone: +381 11 262 5166

Fax: +381 11 262 9785

e-mail: dejan.grba@gmail.com

web: http://dejangrba.dyndns.org

Education

2014

PhD Painting at the Faculty of Fine Arts in Belgrade, with a project Alibi (Black or White).

1996

MFA Painting at the Faculty of Fine Arts in Belgrade, class of professor Radomir Reljić.

1994

BFA Painting at the Faculty of Fine Arts in Belgrade, class of professor Radomir Reljić.

Academic Positions

Since 2015

Assistant professor (Transmedia Research), New Media Department, Faculty of Fine Arts, Belgrade.

2012-2015

Assistant professor (Transmedia Research course), Painting Department, Faculty of Fine Arts, Belgrade.

2008

Assistant professor (Drawing 3-5 course and Transmedia Research elective course), Painting Department, Faculty of Fine Arts, Belgrade.

Since 2007

Assistant professor (Poetics of Digital Arts course), Digital Art doctoral program, Interdisciplinary Studies, University of the Arts, Belgrade.

2007

Visiting professor, Computer Art Program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

Member of College Art Association, New York, NY, USA.

2006

Assistant professor (Drawing 3-5 course and Intermedia Art elective course), Painting Department, Faculty of Fine Arts, Belgrade.

Assistant professor (Poetics of Digital Arts course), Digital Art MFA program, Interdisciplinary Studies, University of the Arts, Belgrade.

2005-2006

Senior lecturer (Poetics of Digital Arts course), Digital Art MFA program, Interdisciplinary Studies, University of the Arts, Belgrade.

2004-2006

Senior lecturer/Course coordinator (Intermedia Art elective course), Faculty of Fine Arts, Belgrade.

1998-2006

Senior lecturer (Painting 3-5 and Drawing 3-5 courses), Faculty of Fine Arts, Belgrade.

Academic Expertise

2014-2015

Developed the New Media study module (undergraduate, graduate and doctoral levels) at the Faculty of Fine Arts in Belgrade.
Accreditation standard material editor for undergraduate, graduate and doctoral study programs of the Faculty of Fine Arts in Belgrade.

Since 2008

Accreditation Reviewer for the Fine Art Study Programs and Academic Institutions, National Accreditation and Quality Assessment Committee, Belgrade.

2007-2008

Transmedia Art study program development, Painting Department, Faculty of Fine Arts, Belgrade.

2005-2006

Curriculum development, Digital Art Department, Interdisciplinary Graduate Studies, University of the Arts, Belgrade.

Intermedia Art study program team, Painting Department, Faculty of Fine Arts, Belgrade.

Program, curricula development and ECTS implementation according to Bologna declaration, Faculty of Fine Arts, Belgrade.

2005

Doctoral study program workgroup, University of the Arts, Belgrade.

Fine Arts Case Study (Strand 3), Tradition of the New Project, inter}artes Socrates Thematic Network, European League of Institutes of the Arts ELIA, Amsterdam, Netherlands.

2003

Tempus board, University of the Arts, Belgrade.

2000

Program and curriculum development, Interdisciplinary Graduate Studies, University of the Arts, Belgrade.

Digital Technologies and University of the Future board, University of the Arts, Belgrade.

1998

Digital Art Center development, University of the Arts, Belgrade.

1997-1998

Electronic Media in Fine Arts research project, Faculty of Fine Arts, Belgrade.

Professional Associations

2015

Provisional Art Spaces, international association of curators and artists, Moraga / Rhode Island, USA.

2007

College Art Association, New York, USA.

Scholarships

2007

Junior Faculty Development Program, U.S. State Department fellowship, Spring semester 2006/2007, Computer Art Program, Transmedia Department, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

2002

Artist in Residence scholarship, Cultural City Network, Graz, Austria.

1994-97

Serbian Ministry of Science and Technology scholarship, project affiliations:

Fundamental Psychic Functions: Modes of Aesthetic Reasoning (MST Ev. No. 14T01), Laboratory of Experimental Psychology, Faculty of Philosophy, University of Belgrade, mentor: professor Predrag Ognjenović, 1996-1997.

Problems in Reception of Art (MST Ev. No. 0532), Department for Aesthetics, Faculty of Philology, University of Belgrade, mentor: professor Sreten Petrović, 1995-1996.

1993

Republic Foundation for the Development of Science and Art scholarship, Belgrade.

University of the Arts study scholarship, Belgrade.

Solo Shows

2015

Anticipations, Contact Gallery SCC, Kragujevac.

2012

Alibi (Black or White): Demo One, Faculty of Fine Arts Gallery, Belgrade.

2008

The U.S. Composites, Rex Cultural Center, Belgrade.

2007

a, Unagaleria, Bucharest, Romania.

2006

a=a’, Rex Cultural Center, Belgrade.

a, Dom omladine Gallery, Belgrade

aula_100 (with Milorad Mladenović & Nenad Popov), Faculty of Architecture, Belgrade.

Gravity and Levity (with Mark Brogan & Leona Dodig), Galeria 26, Bucharest, Romania.

2003

All My People Right Here Right Now (Connection Show), Belgrade Gallery, Belgrade.

2001

The Blue Lotus, Remont Gallery, Belgrade.

Topologies of Death (with Mihael Milunović & Miodrag Krkobabić), Belgrade Gallery, Belgrade.

1998

Kraftwerk P-b-M, Dom omladine Gallery, Belgrade.

A Tribute to Paul Thek, Faculty of Fine Arts Gallery, Belgrade.

1997

Anthropometric, (with Mirjana Munišić & Darko Gajić), Ata-Ray Gallery, Sofia, Bulgaria.

1996

Thermica, Murat Associazione Culturale, Naples, Italy.

1995

Face of Illness, Veljković Pavillion, Belgrade.

Stealth, Dom omladine Gallery, Belgrade.

Speculation, Faculty of Fine Arts Gallery, Belgrade.

1994

Elastic, Faculty of Fine Arts Gallery, Belgrade.

Group Shows

2015

Reworking the City through New Architecture, Gallery of the Science and Technology Museum, SASA, Belgrade.

Formless: Fluid Reality in New Media Art, Museum of Contemporary Art Salon, Belgrade.

2014

Formless: Fluid Reality in New Media Art, Energy Museum, Istanbul, Turkey.

2012

75 Years of the Faculty of Fine Arts in Belgrade, Cvijeta Zuzorić Pavilion, Belgrade.

Asymmetric Europe: Potentiality, Complexity and Complicity, Museum of Contemporary Visual Art, Novi Sad.

2011-2012

Scenarios about Europe - Scenario 3, Galerie für Zeitgenössische Kunst (Museum of Contemporary Art), Leipzig, Germany.

2011

Synthetic Cinema, Dom omladine, Belgrade.

2010

New Technologies 2010, Gallery of Contemporary Art, Cultural Center of Pančevo, Pančevo.

Artists on the Crisis of Painting, Cvijeta Zuzorić Pavillion, Belgrade.

Rhizome of the City, Museum of Science and Technology, Belgrade.

2006

Hybrid - Imaginary (Painting and/or Screen: On Painting in the Era of the Media), Museum of Contemporary Visual Art, Novi Sad.

Sense of Pressure, Atelier als Supermedium: Artists Space for Contemporary Art, The Hague, The Netherlands.

2005

On Normality. Art In Serbia 1989-2001, Museum of Contemporary Art, Belgrade.

2004

Dom omladine Gallery 1995-2004, Dom omladine Gallery, Belgrade.

Belef, video selection, Belgrade.

2003

The 44th October Salon, Cvijeta Zuzorić Pavillion, Belgrade.

ReDiscover, Museum of the 25th of May, Belgrade.

In/Out, Old Town Square, Prague, Czech Republic.

Logical, Belef, video selection, Belgrade.

2002

Balkan Konsulat: Mission Belgrad, <rotor>/Museum in Progress, Graz, Austria.

Yu Video Art, Instituto Cubano del Arte e Industria Cinematograficos, Habana, Cuba.

Side Effects International, Irida Foundation, Sofia and Centre for Contemporary Art Ancient Bath, Plovdiv, Bulgaria.

Ontotauthologies (Stories of Objects), Cultural Centre Gallery, Belgrade.

2001

ICON, next Verein für bildende Kunst, Schubertkino Graz, Austria.

Conversation, Museum of Contemporary Art, Belgrade.

Unique Sign – Unique Location, Stadtmuseum, Graz, Austria.

Video Art in Serbia – Extended Play, Centre for Contemporary Art, Belgrade.

2000

Mailart, next Verein für bildende Kunst, Graz, Austria.

Unique Sign – Unique Location, Cultural City Network, Mostar, Bosnia & Herzegovina.

Tech_nicks, London, Great Britain.

Media Art in Serbia, Montevideo/Time Based Arts, Amsterdam, The Netherlands.

Media Art in Serbia, IFA Galerie, Berlin, Germany.

Media Art in Serbia, Zentrum für Kunst und Medien, Karlsruhe, Germany.

1999

Video Art in Serbia, Centre for Contemporary Art / Bitef Theatre, Belgrade.

The 2nd Biennial of Sketches and Projects, Zlatno oko Gallery, Novi Sad.

1998

Quadrifolium Pratense, Museum of the 25th of May, Belgrade.

The 39th October Salon, Museum of the 25th of May, Belgrade.

1996

Belgrade Art Scene in the Mid-Nineties – Aspects of a New Generation, Zlatno oko Gallery, Novi Sad.

A View to the Wall, Rex Cultural Center, Belgrade.

Ars Topiaria, Faculty of Fine Arts Gallery, Belgrade.

Project X, Old Sugar Factory, Belgrade.

1994

Packing the Noise, Faculty of Fine Arts Gallery, Belgrade.

The First Yugoslav Youth Art Biennial, Concordia Palace, Vršac.

Perspectives 22, Andrićev venac Gallery, Belgrade.

Festivals

2003

Alternative Film – Video, Dom kulture studentski grad, Belgrade.

2001

Digital Belgrade, Medi@terra Festival, Dom omladine, Belgrade.

1998

The 45th Festival of Yugoslav Short and Documentary Film, Yugoslavia Film, Belgrade.

1998

XIXe Festival International de la video et des Arts Electroniques, Locarno, Italy.

Workshop Mentorship

2009

Photo-Robot, media art workshop, 9th International Sumer Art School of the University of the Arts, Sremski Karlovci.

2006

2D MutantZombies, media art workshop, 6th International Sumer Art School of the University of the Arts, Pirot.

Cycloglyphs, with RasterGroup and DigitGroup Belgrade, Department for Digital Art, Interdisciplinary Postgraduate Studies of University of the Arts, Belgrade.

1999-2006

Flu_ID Project, new media workshop, Faculty of Fine Arts, Belgrade.

Curation

2015

Transarch: Reworking the City through New Architecture, Gallery of the Science and Technology Museum, SASA, Belgrade.

Transanimations 2015, European Festival of Student Animation (FESA), Barutana, Belgrade.

Transsampler 2015, New Space, Students’ Cultural Center, Belgrade.

2014

Transsampler 2014, New Space, Students’ Cultural Center, Belgrade.

2011

c3, Student City Cultural Center Gallery, Belgrade.

Student Drawings, Goethe-Institut, Belgrade.

Photo-Robot, Student City Cultural Center Gallery, Belgrade.

2010

c2:, Student City Cultural Center Gallery, Belgrade.

2009

Drawing, Student City Cultural Center Gallery, Belgrade.

2007

2D MutantZombies, Medienkunstlabor, Graz, Austria.

2D MutantZombies, Unagaleria, Bucharest, Romania.

2006

2D MutantZombies, Kontekst Gallery, Belgrade.

2004

Flu_ID, Kraljević Gallery, Zagreb, Croatia.

Flu_ID, Križić-Roban Gallery, Zagreb, Croatia.

Flu_ID, VN Gallery, Zagreb, Croatia.

2003

Raw, Cultural territories, Galerie für Zeitgenössische Kunst (Museum of Contemporary Art),Leipzig, Germany.

2001-2005

Flu_ID, annual show of media art works of the students at the Faculty of Fine Arts in Belgrade, Dom omladine Gallery, Belgrade.

Juries

2012

KEF 13 (Different World), festival of short electronic form, Rex, Belgrade.

2008

Drawings of the Students at the Faculty of Fine Arts, Göthe Institut, Belgrade.

2006

Tuborg Loud and Clear: Green Beat, Kalemegdan, Belgrade.

2005

Public Art Lab, Belgrade / Vienna, Austria.

2004-2005

Dom omladine Gallery board, Belgrade.

2002-2004

Faculty of Fine Arts Gallery board, Belgrade.

2002-2003

Remont Gallery board, Belgrade.

2001-2002

Underground Gallery board, Belgrade.

2000-2002

Belgrade Cultural Centre Gallery board, Belgrade.

Lectures

2015

Event Studies: An Introduction to Generative Art, Applied Arts Program, Faculty of Philology and Arts, Kragujevac, Serbia.

Get Lucky: Cognitive Aspects of Generative Art, Generative Art 2015 conference, Fondazione Bevilacqua La Masa, Venice.

Get Lucky: Cognitive Aspects of Generative Art, Reworking the City Through New Architecture conference, SASA, Belgrade.

Code/Steal: Innovative Combinatorics in Digital Art, Formless: Fluid Reality in New Media Art exhibition, MoCA Salon, Belgrade.

I Cite (Very) Art: (Re)creativity in Contemporary Art, Going Digital: Innovations in Contemporary Life conference, STRAND, Museum of Applied Arts, Belgrade.

Newdemo: New Media Study Program at the Faculty of Fine Arts in Belgrade, Festum festival, Students’ Cultural Center, Belgrade.

Algorithmic Provocations, Belgrade Polytechnic, Belgrade.

2014

Alibi (Black or White), Academy of Art, Novi Sad.

I Cite (Very) Art: (Re)creativity in Contemporary Art, Cultural Center (Patosoffiranje Festival), Smederevo.

Transdemo: Concept, Program and Methodology of the Transmedia Research Course, Festum festival, Students’ Cultural Center,Belgrade.

2011

Between Infrared and Ultraviolet: Some Aspects of Photography in Contemporary Art, Cultural Center / Youth Council, Smederevska Palanka.

2010

0=1 [Digital and New Media Art] lecture series, Student City Cultural Center, Belgrade:

Biotech Art.

Game Art.

(H)activism.

Generative, Algorithmic and Software Art.

Digital Video.

Digital Animation and Film.

Digital Visualization.

Informatic Society, Informatic Culture and Informatic Art.

2009

Bastards of the Cool (Photo-Robot), media art workshop, 9th International Sumer Art School of the University of the Arts, Sremski Karlovci.

Realities / Consciousnesses / Narratives lecture series, City Library, Belgrade:

This is (Not) a...

Alan Ford No. 5.

Visual.

Real?

2008

Everything I Know About Buckminster Fuller, Faculty of Fine Arts, Belgrade, 2008.

Realities / Consciousnesses / Narratives, educational program Above Realism: Stevan Živadinović - Vane Bor, People’s Library, Bor.

Realities / Consciousnesses / Narratives, ChainReaction: Upgrade!International festival, Skopje, FYR Macedonia.

Realities / Consciousnesses / Narratives, Accelerated Fermentation, 8th Summer School of University of the Arts in Belgrade, Negotin.

Kill ’em All, Let God Sort ’em Up: Game Art, iCA: Independent Cultural Association, Magazine Art Space, Belgrade.

Conceptual Aspects of Art and Popular Culture lecture series, City Library, Belgrade:

Art - Culture = Art; Culture - Art = ? (Art in the Age of Culture).

Cutting Consciousness Down to Size (The Perception/The Real/The Narrative).

The Obsolete Database With an Error (Genetic Identities).

Cloning the Zombie (Biotechnologies and Cyber Art).

First You Have to Give Up (Subversion Ltd., Activism Inc., Etc.).

The Secret is That – There is No Secret (Gender Practices).

Bodies That Mean Nothing (The Body Politics and the Political Body).

Bad Mofos (Transgression and Transgressive Strategies).

Less is More (Minimalisms).

Avatar (Ideology of the Arts, the Arts of Ideologies, Art as an Ideological Vehicle).

One and/or Three Conceptual Arts: Conceptual, Post-Conceptual and Contemporary Art.

Theories of Hypertext, Multimedia, VR and Cyber Art, guest lecture with Theory of Art and Media course, Theory of Art and Media doctoral program, Interdisciplinary Studies of University of the Arts, Belgrade.

2007

Some Aspects of Artists’ Positions in the U.S., Theory of Art and Media doctoral program, Interdisciplinary Studies of University of the Arts, Belgrade.

Bastards of the Cool, Medienkunstlabor, Graz, Austria.

Bastards of the Cool, Unagaleria, Bucharest, Romania.

Interpol and Deutsche Bank, FBI and Scotland Yard, Special Topics in Computer Art course, Computer Art program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

Neue Slowenische Kunst – The Art of Overstatement, Special Topics in Computer Graphics course, Computer Art program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

2006

Bizarre Love Triangle: Bizarre in Visual Arts, within Bizarre in the Arts lecture series, City Library, Belgrade.

n-Dimensional Zombies: The Possibility of n-Mutation, 6th Summer School of University of the Arts in Belgrade, Pirot.

electronic apemen: experimental digital video, software and algorithmic art, Kontekst Gallery, Belgrade.

Kraftwerk, Faculty of Fine Arts, Belgrade.

The Complete Matthew Barney, Faculty of Fine Arts, Belgrade.

Video Killed the Radio Stars: Nam June Paik and Bill Viola, Faculty of Fine Arts, Belgrade.

2005

Too Many Secrets, Art Today course, Faculty of Architecture, Belgrade.

First You Have to Give Up: Fight Club, Faculty of Fine Arts, Belgrade.

25th Hour of the 366th Day, Le Centre Culturel Français, Belgrade.

Peter Greenaway, Faculty of Fine Arts, Belgrade.

Stevan Knežević, Faculty of Fine Arts, Belgrade.

2004

Film as a Meta-Technological Critique of the World: Godfrey Reggio from Koyaanisqatsi to Naqoyqatsi, Faculty of Fine Arts, Belgrade.

2001

Die Roboter: Kraftwerk as an Introduction to the Advanced Concepts of Media Art, Centre for the Youth Creativity, Belgrade.

2000

Conceptual Foundation of Subversive Art: Roman Signer, Fischly & Weiss, Rirkrit Tiravanija, Andreas Gursky, etc., School for History and Theory of Images, Centre for Contemporary Art, Belgrade.

Hans Haacke, Krysztof Wodiczko, Barbara Kruger, Jenny Holzer, etc., Faculty of Fine Arts, Belgrade.

Neue Slowenische Kunst, Faculty of Fine Arts, Belgrade.

Roman Signer, Faculty of Fine Arts, Belgrade.

Art, the Art World, the Rest of the World, Faculty of Fine Arts, Belgrade.

Conceptual Art: A Survey, Faculty of Fine Arts, Belgrade.

Minimalism: A Survey, Faculty of Fine Arts, Belgrade.

Gerhard Richter, Faculty of Fine Arts, Belgrade.

Stevan Knežević, Faculty of Fine Arts, Belgrade.

Cindy Sherman: Space/Identity, Center for Contemporary Art, Belgrade.

1999

Robert Mapplethorpe and Joel Peter Witkin, Faculty of Fine Arts, Belgrade.

1998-1999

Visual Aspects of Film, Faculty of Fine Arts, Belgrade.

1996

Nam June Paik, The Association of Serbo-Corean Friendship, Belgrade.

1995-1996

Digital Technologies in Art, Faculty of Fine Arts, Belgrade.

Presentations

2014

Curiosity: Experimental Projects and Studies, Cultural Center Catalysis, Belgrade.

2007

Where I Was, and What I Did, Rex Cultural Center, Belgrade.

a=a, Transmedia Colloquium (History) course, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

t’ung, Computer Graphics seminar, Computer Art Program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

All My People Right Here Right Now, Intermediate Multimedia (Art Gaming) course, Computer Art Program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

a, Special Topics in Computer Graphics course, Computer Art Program, Department of Transmedia, College of Visual and Performing Arts, Syracuse University, Syracuse, NY, USA.

2006

Media Art Education at the Faculty of Fine Arts, Outside Project, Faculty of Fine Arts, Belgrade.

2003

Flu_ID Project, Academy of Arts, Novi Sad.

Flu_ID Project, University of the Arts, Belgrade.

European Credit Transfer System, Faculty of Film and Drama and University of the Arts, Belgrade.

2002

Flu_ID, Dom omladine, Belgrade.

Flu_ID, Real Presence festival, Students’ Cultural Center, Belgrade.

2000

Presentation, Center for the Youth Creativity, Belgrade.

Symposia

2012

A Mesmerisingly Unpredictable Scenario, keynote speech, Thinking about Europe – Discourses and Models: Does Art Matter? within Scenarios about Europe - Scenario 3 project, Galerie für Zeitgenössische Kunst (Museum of Contemporary Art), Leipzig, Germany.

2007

Teachers’ Academy, 2D MutantZombies Project presentation, European League of Institutes of the Arts ELIA, Faculty of Arts and Architecture, University of Brighton, UK.

2006

Art, Engagement and Education, European League of Institutes of the Arts ELIA conference, Hogeschool Gent, Belgium.

Tradition of the New, inter}artes Socrates Thematic Network, European League of Institutes of the Arts ELIA, Hogeschool Gent, Belgium and LMTA: Lithuanian Academy of Music and Theatre, Vilnius, Lithuania.

2005

Teachers’ Academy, Flu_ID Project presentation, European League of Institutes of the Arts ELIA, Willem de Kooning Academy of Fine Art and Design, Rotterdam, The Netherlands.

2004

Challenging the frame, European League of Institutes of the Arts ELIA conference, Luzern, Switzerland.

Cultural Policy and Art Production, Media Art Program at the Faculty of Fine Arts presentation, EU Framework V, University of the Arts, Belgrade.

2003

Raw: Artist as Curator presentation, Cultural Territories, Galerie für Zeitgenössische Kunst (Museum of Contemporary Art),Leipzig, Germany.

Internationales Künstler Gremium Symposium, Flu_ID Project presentation, Museum of the 25th of May, Belgrade.

New Technologies – New Media In Art And Art Education, Flu_ID Project presentation, Galženica Gallery, Velika Gorica, Croatia.

2002

EUA / Swiss Confederation Conference on Credit Transfer and Accumulation: the Challenge for Institutions and Students, ETH: Swiss Federal Institute of Technology, Zürich, Switzerland.

University of the Arts as an Experimental Space for Artistic, Educational and Scientific Innovation (From Institutional to Project Logic), New Approaches in Art Education, University of the Arts and German Rectors’ Conference, Belgrade.

Publications

in books

2015

Get Lucky: Cognitive Aspects of Generative Art, Generative Art 2015 Conference Proceedings, Fondazione Bevilacqua La Masa, Venice: pp. 200-213.

Get Lucky: Cognitive Aspects of Generative Art, Reworking the City Through New Architecture Conference Proceedings, STRAND - Sustainable Urban Society Association, Belgrade: pp. 226-238.

Get Lucky: Cognitive Aspects of Generative Art, FFA Review: Art and Theory, year 1, issue 2, Belgrade: pp 104-117.

I Cite (Very) Art: I Cite (Very) Art: (Re)creativity in Contemporary Art, Going Digital: Innovations in Contemporary Life Conference Proceedings, STRAND - Sustainable Urban Society Association, Belgrade, pp. 29-36.

I Cite (Very) Art: (Re)creativity in Contemporary Art, FFA Review: Art and Theory, year 1, issue 1, Belgrade: pp 84-91.

2013

Alibi (Black or White), PhD dissertation. Faculty of Fine Arts, Belgrade.

2009

Realities / Consciousnesses / Narratives, in Above Realism: Vane Bor, ed. by Goran Milenković and Violeta Stojmenović, People’s Library, Bor , p. 95.

in solo show catalogues

2015

Thriller, Bogdan Vojnović: Glassworks exhibition catalogue, Headquarters Gallery, Belgrade.

2013

sense.word(art); Vesna Opavský: Art as a Keyword project catalogue, Dom omladine Gallery, Belgrade.

2005

Dig Your Own Hole, Danijela Bogićević: Family Album exhibition catalogue, Dom omladine Gallery, Belgrade.

Oligophrenic Obsession, Vladimir Vinkić: Portraits exhibition catalogue, Gallery of Contemporary Art, Pančevo.

2004

Unreal (Demo), Vladimir Todorović: World Wide Open 2004 exhibition catalogue, Dom omladine Gallery, Belgrade.

2003

Point-blank, Dobrica Bisenić: Drawings exhibition catalogue, Dom omladine Gallery, Belgrade.

A View to (a) Kill, Veljko Onjin: Installation View exhibition catalogue, DK Studentski grad Gallery, Belgrade.

2002

non-knowledge / non-doing / the void, Dragan Jovanović: Installations exhibition catalogue, ULUS Gallery, Belgrade.

The Difference Between Stroke and Line, Dobrica Bisenić: Paintings exhibition catalogue, ULUS Gallery, Belgrade.

2001

Oral - Anal - Digital, Slavica Panić: Multiplications exhibition catalogue, Remont Gallery, Belgrade.

Diorama, Borislav Krbavac: Pro-Thesis exhibition catalogue, Dom omladine Gallery, Belgrade.

2000

The Only Illness Which Cure We May Be Hoping For, Goran Ostojić: Paintings exhibition catalogue, Paleta Gallery, Belgrade Cultural Center, Belgrade.

1999

White Noise, Isidora Laban: Choose Your Own Deserted Beach exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

1997

To Travel, Dragan Jovanović: Maya exhibition catalogue, Dom omladine Gallery, Belgrade.

1996

Melodica, Dragana Knežević: Licitar Hearts and Needleworks exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

1995

Nigredo, Nikola Savić: Drawings exhibition catalogue, Zvono Gallery, Belgrade.

in group show catalogues

2015

The Code of the Steal: Innovative Combinatorics in Digital Art, Formless: Fluid Reality in New Media Art exhibition catalogue, Museum of Contemporary Art, Belgrade.

2011

Photo-Robot, Photo-Robot exhibition catalogue, DKSG Gallery, Belgrade, p. 3.

2010

I Know What I Drew Last Summer, Rhizome of the City project, New Technologies 2010 exhibition catalogue, Gallery of Contemporary Art, Cultural Center of Pančevo, Pančevo, pp. 10-12.

I Know What I Drew Last Summer, Rhizome of the City project catalogue, Museum of Science and Technology, Belgrade.

2005

Raw, Cultural territories / Kulturelle Territorien project catalogue, pp. 155-157, Galerie für Zeitgenössische Kunst, Verlag der Buchhandlung Walther König, Leipzig.

The 25th Hour of the 366th Day, introductory text, screening of Ultralab’s {366 Days}, Centre Culturel Français, Belgrade.

2003

Mutiny Inc., Mutiny and Bounty exhibition catalogue, Faculty of Fine Arts Gallery Belgrade, The Agency Contemporary London, UK, London.

Chasing the Corruptible Code, Connection Show exhibition catalogue, Remont/Belgrade Cultural Centre, Belgrade.

Oral - Anal - Digital, Remont Gallery 2002 annual catalogue, Remont, Belgrade, pp. 6-7.

2000

Drawing, 29th Students’ Drawing exhibition catalogue, Dom omladine Gallery, Belgrade.

in magazines

2015

I Cite (Very) Art: (Re)creativity in Contemporary Art. Art and Theory: Review of the Faculty of Fine Arts, Volume 1, No. 1 (2015): 84-91.

2013

Sense of the Word Art, Culture – Art – Science No. 26/LVII, 12 October, Politika, Belgrade, p. 6.

2010

Who? (Identity in Film), Sveske No. 95 / March, Mali Nemo, Pančevo, pp. 156-159.

2009

Pandora’s Box, Culture - Art - Science No. 51/LIII, 4 April, Politika, Belgrade, p. 12.

Gaming and Countergaming, Culture - Art - Science No. 48/LIII, 28 February, Politika, Belgrade, p. 12.

2008

Taryn Simon: An American Index of Hidden and Unfamiliar, Culture - Art - Science No. 13/LII, 12 July, Politika, Belgrade, pp. 06-07.

(H)activism Inc., Culture - Art - Science No. 11/LII, 28 June, Politika, Belgrade, pp. 06-07.

The Masked Persona: Identity Politics in the Contemporary Visual Arts, Culture - Art - Science No. 1/LII, 19 April, Politika, Belgrade, p. 12.

Installation View [published as “A Juicy Simulation of Transgression”], Veljko Onjin: Installation View project, Culture - Art - Science No. 40/LI, 12 January, Politika, Belgrade, p. 12.

2007

Art as Accident and Becoming, an interview with Vladimir Todorović, Culture - Art - Science No. 34/LI, 1 December, Politika, Belgrade, pp. 06-07.

text [published as “Cynicism of the Situation”], Dragana Radivojević: Intermezzo project, Culture - Art - Science No. 33/LI, 27 November, Politika, Belgrade, p. 06.

In and After U.S.A., ArtFama No. 9, October, G.L.O.R.I.J.A., Belgrade, pp. 41-44.

2006

One or Several Vladimir Todorovićs, an interview with Vladimir Todorović, Remont Art Magazine, No. 15, Winter, Remont, Belgrade, pp. 18-20.

Gravity and Levity, an interview with Mark Brogan, Remont Art Magazine No. 14, Spring, Remont Belgrade.

2003

How_The_Code_Was_Won [And_Where_It_Got_Us], Com_medi@, 5 November, Danas, Belgrade.

The New Definition of Virtual [published as “Myth of Omnipotence”], Com_medi@, 21 May, Danas, Belgrade.

The Kapelica Case, an interview with Jurij Krpan, Moment – New Series, No. 1, Pančevo.

2001

Fast Forward: The Problem of Narrative Video Art, Com_medi@, 18 April, Danas, Belgrade.

Art as an Evil Surplus, an interview with Nikoleta Marković and Žolt Kovač, Com_medi@, 14 March, Danas, Belgrade.

X=0 [published as “The Identity Under the Mass Media Terror (Reality Show)”], Com_medi@, 28 February, Danas, Belgrade.

Gimme! Gimme! Gimme! [published as “The Future Artists Will Create Their Own Media”], an interview with Miodrag Krkobabić, Com_medi@, 14 February, Danas, Belgrade.

Ja Tvoi Sluga, Ja Tvoi Rabotnik (Kraftwerk), Com_medi@, 31 January, Danas, Belgrade.

Making Fiction More Relevant [published as “The Metaphors will disappear”], an interview with József Tasnádi, Com_medi@, 17 January, Danas, Belgrade.

Every Love is Seduction: The Problem of Matrix, Com_medi@, 3 January, Danas, Belgrade.

The Secret Code of the Media [published as “I Examine Myself Through My Work”], an interview with Slavica Panić, Com_medi@, 27 June, Danas, Belgrade.

2000

Egony, Com_medi@, 20 December, Danas, Belgrade.

Gaze of the Big Brother: Andreas Gursky, Com_medi@, 22 November, Danas, Belgrade.

A Silicon Thread of Reality, Com_medi@, 1 November and 8 November, Danas, Belgrade.

Electrons and Photons [published as “Inscriptions on the Skin”], an intevriew with Darko Gajić, Com_medi@, 23 October, Danas, Belgrade.

1996

A Silicon Thread of Reality, Radio Belgrade 3rd programme, Belgrade.

Translations

1996

Donald Kuspit: European Sensibility Today, (Source: Donald Kuspit, European Sensibility Today, New Art International, Academy Editions, St. Martin's Press, London & NY, pp 14-19, 1990), Radio Belgrade 3rd programme, Belgrade.

Jean-Paul Fargier – Virilio, Virtu and VR, (Source: Jean-Paul Fargier, Virtu and Virtual Realities, ArtPress No. 185, November 1993), Radio Belgrade 3rd programme, Belgrade.

1995

Gregorio Magnani: Gerhard Richter, (Source: Gregorio Magnani, Gerhard Richter, An interview, Flash Art No. 146 – May/June 1989), Radio Belgrade 3rd programme, Belgrade.

Donald Kuspit: Bill Biola’s Via Negativa, (Source: Donald Kuspit, Deep TV: Bill Viola’s Via Negativa, Artforum, May 1995), Radio Belgrade 3rd programme, Belgrade.

Jérôme Sans: Paul Virilio, A Conversation, (Source: Jérôme Sans, An Interview with Paul Virilio, Flash Art International No. 138, Jan/Feb 1988), Projekat No.6, Prometej, Novi Sad, pp. 84-85.

Thomas McEvilley: Empirical Thinking, (Source: Thomas McEvilley, Empirical Thinking (And Why Kant Can't), Artforum, XXVII, No.2 October 1988), Projekat No.5, Prometej, Novi Sad, pp. 21-27.

Bibliography

in books

2011

Milorad Belančić, Art in the Fissures of Digital Technologies, in Deteritorialization of the Image, Belgrade, pp. 104-113 (online edition).

2010

Miodrag Šuvaković, Serbian Art in the 20th Century Vol. 1: Radical Art Practices, Orion Art, Belgrade, pp. 733-735: Transition in the Condition of War / The Arts of Transition: The Incomparable Differences and pp. 850-853: Painting in the Age of Media / Contemporary Paradigms: Globalism and Transition.

2007

Miodrag Šuvaković, VIRTUOSITY of PORTRAIT execution: versions of the Work and the Life itself: Dejan Grba, in Miodrag Šuvaković, ed., Conceptual Art, Museum of Contemporary Art in Vojvodina, Novi Sad, pp. 793-796.

2005

Miodrag Šuvaković, The 20th Century Art in Serbia, segments: Video Art, Painting After the Death of Painting or Painting in the Age of Media and Art in the Age of Culture, H.W. Janson & Anthony F. Janson, History of Art, new edition, Harry N. Abrams / Stanek, Varaždin, pp. 386-387.

2004

Max Aufischer & Gerhard Gross ed., Fünfzehn plus Eins – CCN/IHAG – 15 Jahre Kulturvermittlung Steiermark Kunstpädagogoisches Institut, Kulturvermittlung Steiermark Kunstpädagogoisches Institut Graz, Graz, pp. 169, 197.

1998

Čedomir Vasić, The Art of Real Virtuality, in Art at the End of the Century, Clio, Belgrade, pp. 13-27.

in solo show catalogues

2006

Miodrag Šuvaković, VIRTUOSITY of PORTRAIT execution: versions of the Work and the Life itself, a exhibition catalogue, Dom omladine, Belgrade.

Gerhard Gross, The Appeal of Inconsequence, a exhibition catalogue, Dom omladine, Belgrade.

Vladimir Todorović, a=a, a exhibition catalogue, Dom omladine, Belgrade.

2001

Stevan Vuković, The Primal Object, Malaise, Split in Topologies of Death exhibition catalogue, Gallery Belgrade, Belgrade, p. 13.

Stevan Vuković, The Delegated Self, on the Brinks of Enjoyment, The Blue Lotus catalogue, Remont Gallery, Belgrade.

Mileta Prodanović, Alter-Egoism at the End of the Serbian Social Miracle Era, The Blue Lotus catalogue, Remont Gallery, Belgrade.

Čedomir Vasić, Dejan Grba’s Blue Lotus, The Blue Lotus catalogue, Remont Gallery, Belgrade.

1998

Bojana Burić, A Note, A Tribute to Paul Thek exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

1996

Čedomir Vasić, Thermica, Thermica exhibition brochure, Murat Associazione Culturale, Naples.

1995

Stevan Vuković, Identity Slip, Stealth exhibition catalogue, Dom omladine Gallery, Belgrade.

Stevan Vuković, Maps of Repugnance, Face of Illness installation brochure, CZKD, Belgrade.

Mileta Prodanović, Visual Meditation, Speculation exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

Nikola Šuica, To Illuminate Behind God's Back, Speculation exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

in group show catalogues

2015

Anticipations in Reworking the City Through New Architecture Conference Proceedings, STRAND - Sustainable Urban Society Association, Belgrade.

2014

Derya Yücel & Una Popović, Formless: Fluid Reality in New Media Art, in Formless: Fluid Reality in New Media Art exhibition catalogue, Istanbul Bilgi University, pp. 3-7.

2013

Miodrag Šuvaković, Novi Sad, in The Europen Book, ed. Barbara Steiner, jovis Verlag GmbH, Berlin, pp. 130, 132.

2012

Mileta Prodanović & Petar V. Arbutina (eds.), Faculty of Fine Arts in Belgrade 1937-2012, FFA & Službeni glasnik, Belgrade, pp. 16, pp. 232-233.

Miodrag Šuvaković, Asymmetric Europe: Potentiality, Complexity and Complicity, exhibition catalogue, Museum of Contemporary Visual Art, Novi Sad, p. 4.

2011

Miodrag Šuvaković, Asymmetries: Concepts, Metaphors and Ideological DifférAnces, in Barbara Steiner (ed.), Thinking Europe: The Scenario Book, jovis Verlag GmbH, Berlin, p. 197.

2010

Milorad Belančić & Jerko Denegri, Artists on the Crisis of Painting, exhibition catalogue, Cvijeta Zuzorić Pavillion, Belgrade, pp. 1-2.

2006

Miodrag Šuvaković, Dejan Grba: VIRTUOSITY of PORTRAIT execution: versions of the Work and the Life itself, Hybrid – Imaginary (Painting and/or Screen: On Painting in the Era of the Media) exhibition catalogue, Museum of Contemporary Visual Art, Novi Sad, pp. 29-31.

Stevan Vuković, Balkan Konsulat Belgrade, Balkan Konsulat project catalogue, Rotor, Graz & Revolver, Archiv für Aktuelle Kunst, Frankfurt am Main, pp. 24-25.

2005

Branislava Anđelković & Branislav Dimitrijević, Last Decade: Art, Society, Trauma and Normality, On Normality. Art in Serbia 1989-2001 exhibition catalogue, Museum of Modern Art, Belgrade, pp. 127, 133.

2003

Vladimir Tupanjac, The Eternal Salon and Our Everyday Life, The 44th October Salon exhibition catalogue, Belgrade Cultural Centre, Belgrade, p. 16.

Erden Kosova, The Zone of Tension u The Problematic of National Identity and Social Engagement in the Contemporary Art Practice in the Balkans, conference paper.

2002

Andreas Spiegl, Side Affects Critique, or: The Dislocation of Power, Side Effects exhibition catalogue, Sofia.

Ilina Koralova, Side Effects, Side Effects exhibition catalogue, Sofia.

Stevan Vuković, Voice/Object [Dejan Grba: “Pray! (Too Many Secrets)”, audio installation], in Ontothautologies (Stories of Objects) exhibition catalogue, Belgrade Cultural Centre, Belgrade.

2001

Ilina Koralova, Dejan Grba: The Deceased – Floating Points, Unique Sign – Unique Location project catalogue, Cultural City Network, Graz.

1999

Branislav Dimitrijević, An Intermittent History: A Brief Survey of Video Art in Serbia, Video Art in Serbia exhibition catalogue, Center for Contemporary Art, Belgrade, pp. 22-23.

1998

Mileta Prodanović, Genius Loci: On Art and Obedience, Quadrifolium Pratense exhibition catalogue, Belgrade Cultural Centre, Belgrade, pp. 35-45.

Bojana Burić, Essay, The 39th October Salon exhibition catalogue, Belgrade Cultural Centre, Belgrade, pp. 12-16.

1996

Stevan Vuković, Character of Works, Belgrade Art Scene in the Mid-Nineties: Aspects of a New Generation exhibition catalogue, Zlatno oko Gallery, SCC Novi Sad.

Bojana Burić, Ars Topiaria, Ars Topiaria exhibition catalogue, Faculty of Fine Arts Gallery, Belgrade.

Nikola Šuica, Puer Aeternus, A View to a Wall exhibition catalogue, B-92, Belgrade, p. 130.

in magazines

2015

A. Ćuk, Beyond Limits, Danas, 10 July, p. 14.

2011

Milan Vukelić, Aesthetics of Privacy, NIN No. 3133, Politika, Belgrade, 13 January, pp. 61-63.

2010

Milorad Belančić & Jerko Denegri, Deteritorialization of the Image, Culture - Art - Science No. 23/LIV, 18 September, Politika, Belgrade, p. 5.

2009

Milorad Mladenović, My Documents (A Document on Documents), Kvart Magazine for Architecture, Design, Art and Lifestyle, No. 8, Belgrade, pp. 134-139.

2006

Miodrag Šuvaković, Mistrzostwo Wykonania Portretu, Artluk No. 2 / 2006, Warsaw, pp. 19-20.

Miodrag Šuvaković, Serbski czas kultury, Artluk No. 1/2006, Warsaw, pp. 14-15.

Mirko Žarković, Hybrid - Imagnary: Painting and/or Screen, ArtFama, pilot issue, G.L.O.R.I.J.A., Belgrade, pp. 44-45.

1998

Lidija Despić, Titles and Scrambles, Demokratija, 11 May, Belgrade, p. 9.

1996

Marija Đorđević, A Gallery in the Bag, Politika, 22 September, Belgrade, p. 20.

1995

Stevan Vuković, Culture as Disease, Monitor, No. 241, Podgorica, p. 37.

Savo Popović, Scent of the Times, Borba, 4 December, Belgrade, p. 14.

Vesna Ninković, Face of Illness, Naša Borba, 17 November, Belgrade, p. 13.

Nikola Šuica, Ornament in the Age of Crime, Eterna, No. 3, Belgrade, pp. 68-71.

interviews

2007

Marija Đorđević, I Make Art by Working on Myself, Culture - Art - Science No. 31, 10 November, Politika, Belgrade, pp. 06-07.

2006

Srđan Marković, Attack on the Static Self-Portrait, Glas, May 9, Belgrade, p. 19.

2002

Vesna Perić, I Would Make Clones and Design Cyborgs, Com_medi@, 20 November, Danas, Belgrade, pp. IV-V.

1998

Miroslav Pješčić, An Interview With Dejan Grba, Beorama No. 79, Belgrade, pp.79-80.

compendiums

2002

Virtooal_Exhibition_Too, CD-ROM, Remont, Belgrade.

Workshop Participation

2015

Rvvvv: Generative Design Algorithms,, Resonate, Belgrade.

PureData: Free Flow Musical Data, Resonate, Belgrade.

2010

Rhizome of the City, DigitGroup, Museum of Science and Technology, Belgrade.

2001

ICON, 7. Internationales Projekt für bildende Kunst, next Verein für bildende Kunst, Graz, Austria.

2000

Mailart, 6. Internationales Projekt für bildende Kunst, next Verein für bildende Kunst, Graz, Austria.

Unique Sign – Unique Location, Cultural City Network, Mostar, Bosnia & Herzegovina.

Linker, Cyber Rex, Belgrade.

1996

Project X, Belgrade.

1995

Ars Topiaria, Ečka.

Awards

1994

1st prize, Serbian Anti-Cancer Society Poster Award.

1993

Faculty of Fine Arts Mosaic Award.

1992

Faculty of Fine Arts Drawing Award.

Architectural Projects

1996

Architectural and Urban Plan for the Liman Shopping Center, (in the team of Milorad Mladenović), DaNS, Novi Sad, Serbia.

Commissions

2002

Untitled [The Deceased Archive], billboard, Rotor/Museum in Progress, Graz, Austria.

Untitled [The Deceased Archive], newspaper spread art project, Museum in Progress, Der Standard, 6 December, Vienna, Austria.

1998

The Gap, magazine spread art, Consuming New Europe & Related Topics project, New Moment magazine, No. 9/10, Belgrade.

1995

Issei Sagawa: An Idiosyncratic Double, magazine spread art, The Double project, New Moment magazine, No. 4, Belgrade.

Graphic Design

2010

c2:, c2: exhibition catalogue and poster, Student City Cultural Center, Belgrade.

2003-2005

f, Flu_ID Project catalogue and leaflet, Dom omladine Gallery, Belgrade.

1998

Predrag Ognjenović, Psychological Theory of Art, book, Laboratory for Experimental Psychology, Faculty of Philosophy, Belgrade.

Erazmo No.5, magazine, LutErazmo, Belgrade.

1997

Erazmo No.4, magazine, LutErazmo, Belgrade.

1996

Jeff Geeraerts, Gangrene 1 (Black Venus), book, LutErazmo, Belgrade.

Multatuli, Max Havelaar, book, LutErazmo, Belgrade.

Edition of novels, LutErazmo, Belgrade.

Villem M. Roggeman, Mechanisms of Inspiration, book, LutErazmo, Belgrade.

Hubert Lampo, Prince Of Magonia, book, LutErazmo, Belgrade.

Fleur Bourgonje, Several Hours of Love, book, LutErazmo, Belgrade.

V.A., Reception of Art, book, Institute of Psychology, Belgrade.

1996

Nikola Savić, Drawings, exhibition catalogue, Nikola Savić/Zvono Gallery, Belgrade.

1994-1995

Posters, Faculty of Fine Arts Club, Belgrade.